Three years ago, Peter aus der Mozartstraße talked about letting go and reconnecting in his song “Neverland”. The song was inspired not by naïve escapism, but by a certain humility and the realisation that the world is increasingly too much for a single mind to handle. The music of the singer–songwriter and producer demonstrates how great effect can be achieved with few means when voice, lyrics, and instrumentation intertwine. Sophisticated linguistic images, a sympathetically childlike nostalgia that lies somewhere between ALF and Käpt’n Blaubär, and the thematisation of difficult feelings define the conceptual framework in which Peter presents his pop poetry with raps and beats in the tradition of Fynn Kliemann and Clueso. Accordingly, his 2022 debut album, “4321”, tells of childhood dreams and bitter insights, of the memorials that life erects and the hopes that are burned into our skin and brains like tattoos. If you want to get one for yourself, you know where to go in September when Peter presents his new EP, “Ende in Sicht”.